THE HIDDEN KING: Camelot ruled from the cave of Merlin
by Miles Mathis
First written in 2009
As you see, this paper was written several years ago. I have been sitting on it for over six years. But now, after publishing many other papers in the same line—on faked events—this one may be somewhat easier to promote. If the thesis is too far-out for you at first glance, read the other papers first. I especially recommend my paper on the Lincoln assassination, which has many parallels to this one. I also recommend my very long paper on the Tate/Manson event. The photographic evidence I compiled for that one exceeds even the photographic evidence here—which is extensive.
As usual, I offer this paper as an opinion piece, protected as free speech by the Constitution. It is my professional reading of the evidence, to be taken as such. When I say professional, I mean I have shown previous expertise in reading and de-spinning photographic evidence. As a professional realist artist, I have honed my eye over several decades. Part of my job has long included working from photographs, which I take myself. To turn these photos into portraits, I have to be able to read all the subtle shades and lines contained in the image. So I have been accustomed to look more closely at the world, real and imaged, than most people. I see things most people don't. You can understand how that skill would be useful in unscrambling the false history we have been sold.
In the last decade, a few people have awoken from their slumbers. Cued by the lies surrounding 911, Aurora, and Sandy Hook, they have learned to see through the bedtime stories they have been told. With this suspension of disbelief destroyed, they are now ready to reconsider the other stories of recent history. In this paper we will look at the Kennedy fairy tale. We will start by studying the assassination of JFK, but by the end we will see that all the stories about all the Kennedys are of a piece: nothing you think you know, all the way back to 1944, is true.
It has long been clear to almost all intelligent people who study the evidence that the Warren Commission was a cover-up. Something like 80% of those polled admit they don't believe the Warren Commission report, and we must assume that the other 20% are very gullible. Some have also studied the so-called conspiracy theories—the alternate theories, that is. But it should be equally clear that the alternate theories are, in most ways, just as full of holes and just as poorly constructed as the standard theory. Like the Warren Commission report, the alternate theories also read like propaganda. The style of all counter-stories, in whatever form, has been just as fishy as the Warren Commission story. To those of us trained to look at form as well as content, the counter-stories also read like a script, or like a transparent effort at mind control.
Let me suggest to you that both sets of stories were created mainly as misdirection and disinformation. This is not to say that all alternate theorists are controlled by the government or by anyone else. It is only to suggest that alternate theories—in all forms but one—seem to be encouraged by the government and the powers that be. We have always assumed that alternate theories would be frowned upon or discouraged, and yet we have never seen much real effort at suppression. In fact, in most cases, the dissemination of alternate theories would seem to be abetted by the mainstream, not suppressed. You should ask yourself if the alternate theories and theorists might be selling the main lines of the desired story just as fully as the standard theory. For the powers that be, it may not matter whether you believe there was one shooter or many, or even whether you believe that the CIA or FBI was involved. The only thing that is critical is that you believe Kennedy was assassinated that day, and the alternate theories sell that fact with even more emphasis and gusto than the Warren Commission. As it turns out, the alternate theories make a much greater hero out of Kennedy than the standard theory, and it may be that this is a welcome side-effect for the real conspirators.
The first desideratum of those controlling both stories is that you, the public, be kept monumentally confused, so that you can never ask the proper questions. This end is achieved by having many competing theories. In this way, the Warren Commission was only the official fake story. But the other fake stories are just as important in the long-running effort to make it seem that there is no right answer. The storytellers are quite satisfied to have an ever growing mass of speculation and opinion, which almost inevitably must overwhelm all investigators. The more diversions that are created, the less likely it is that anyone will discover the real clues.
As an example of how alternate theories have been disseminated by the Government itself, I send you to a recent paper of mine on Rampartsmagazine. Ramparts was one of the first to publish alternative theories of the assassination, beginning in the late 1960s. Although Ramparts was considered to be a far-left or even anarchist rag at the time, it turns out it was another CIA front, like Encounter, Partisan Review, Paris Review, and most other "intellectual" magazines. By the 1960s, the CIA had infiltrated the entire media, including smaller, seemingly independent journals like Ramparts. The CIA was even good enough to admit this during the Senate Church Committee hearings in the 1970s, and you can read about it in my papers on the Cultural Cold War. You may also consult the books of Frances Stoner Saunders.
In this paper, I will tell you what really happened that day, and what has really happened since 1944. The JFK mystery is just one part of a much larger mystery, a mystery I will unravel for you in the second half of this paper. The JFK assassination is the key that unlocks more than a half-century of closed doors, allowing us to see behind the greatest curtain of all.
I almost seem
To hear the birds speaking to me.
Is there a spell,
Perhaps, in the blood?
The curious bird up there—
Hark! he sings to me.
—Wagner, Siegfried First written in 2009
As you see, this paper was written several years ago. I have been sitting on it for over six years. But now, after publishing many other papers in the same line—on faked events—this one may be somewhat easier to promote. If the thesis is too far-out for you at first glance, read the other papers first. I especially recommend my paper on the Lincoln assassination, which has many parallels to this one. I also recommend my very long paper on the Tate/Manson event. The photographic evidence I compiled for that one exceeds even the photographic evidence here—which is extensive.
As usual, I offer this paper as an opinion piece, protected as free speech by the Constitution. It is my professional reading of the evidence, to be taken as such. When I say professional, I mean I have shown previous expertise in reading and de-spinning photographic evidence. As a professional realist artist, I have honed my eye over several decades. Part of my job has long included working from photographs, which I take myself. To turn these photos into portraits, I have to be able to read all the subtle shades and lines contained in the image. So I have been accustomed to look more closely at the world, real and imaged, than most people. I see things most people don't. You can understand how that skill would be useful in unscrambling the false history we have been sold.
In the last decade, a few people have awoken from their slumbers. Cued by the lies surrounding 911, Aurora, and Sandy Hook, they have learned to see through the bedtime stories they have been told. With this suspension of disbelief destroyed, they are now ready to reconsider the other stories of recent history. In this paper we will look at the Kennedy fairy tale. We will start by studying the assassination of JFK, but by the end we will see that all the stories about all the Kennedys are of a piece: nothing you think you know, all the way back to 1944, is true.
It has long been clear to almost all intelligent people who study the evidence that the Warren Commission was a cover-up. Something like 80% of those polled admit they don't believe the Warren Commission report, and we must assume that the other 20% are very gullible. Some have also studied the so-called conspiracy theories—the alternate theories, that is. But it should be equally clear that the alternate theories are, in most ways, just as full of holes and just as poorly constructed as the standard theory. Like the Warren Commission report, the alternate theories also read like propaganda. The style of all counter-stories, in whatever form, has been just as fishy as the Warren Commission story. To those of us trained to look at form as well as content, the counter-stories also read like a script, or like a transparent effort at mind control.
Let me suggest to you that both sets of stories were created mainly as misdirection and disinformation. This is not to say that all alternate theorists are controlled by the government or by anyone else. It is only to suggest that alternate theories—in all forms but one—seem to be encouraged by the government and the powers that be. We have always assumed that alternate theories would be frowned upon or discouraged, and yet we have never seen much real effort at suppression. In fact, in most cases, the dissemination of alternate theories would seem to be abetted by the mainstream, not suppressed. You should ask yourself if the alternate theories and theorists might be selling the main lines of the desired story just as fully as the standard theory. For the powers that be, it may not matter whether you believe there was one shooter or many, or even whether you believe that the CIA or FBI was involved. The only thing that is critical is that you believe Kennedy was assassinated that day, and the alternate theories sell that fact with even more emphasis and gusto than the Warren Commission. As it turns out, the alternate theories make a much greater hero out of Kennedy than the standard theory, and it may be that this is a welcome side-effect for the real conspirators.
The first desideratum of those controlling both stories is that you, the public, be kept monumentally confused, so that you can never ask the proper questions. This end is achieved by having many competing theories. In this way, the Warren Commission was only the official fake story. But the other fake stories are just as important in the long-running effort to make it seem that there is no right answer. The storytellers are quite satisfied to have an ever growing mass of speculation and opinion, which almost inevitably must overwhelm all investigators. The more diversions that are created, the less likely it is that anyone will discover the real clues.
As an example of how alternate theories have been disseminated by the Government itself, I send you to a recent paper of mine on Rampartsmagazine. Ramparts was one of the first to publish alternative theories of the assassination, beginning in the late 1960s. Although Ramparts was considered to be a far-left or even anarchist rag at the time, it turns out it was another CIA front, like Encounter, Partisan Review, Paris Review, and most other "intellectual" magazines. By the 1960s, the CIA had infiltrated the entire media, including smaller, seemingly independent journals like Ramparts. The CIA was even good enough to admit this during the Senate Church Committee hearings in the 1970s, and you can read about it in my papers on the Cultural Cold War. You may also consult the books of Frances Stoner Saunders.
In this paper, I will tell you what really happened that day, and what has really happened since 1944. The JFK mystery is just one part of a much larger mystery, a mystery I will unravel for you in the second half of this paper. The JFK assassination is the key that unlocks more than a half-century of closed doors, allowing us to see behind the greatest curtain of all.
